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What does it mean to be haunted by ambition? Can we escape our destiny? How do we cope with our worst actions? Guthrie Theater’s “Macbeth” answers these questions in its gripping exploration of murder ...

Choosing the right opener for a theatrical season is always a fraught gamble. An opening demands ambition and momentum, all while securing trust in the audience that what follows will reward them.

You get only one chance to make a first impression, and the first sight of Boston Lyric Opera’s recent “Macbeth” was a head-scratcher. The curtain rose to reveal a full stage, the BLO chorus dressed ...

The opera takes place in four acts in co-production with the Arena Sferisterio Association, the Teatro Massimo of Palermo and the Teatro Regio of Turin. The FORM-Orchestra Filarmonica Marchigiana, and ...

“Tomorrow, and tomorrow, and tomorrow.” The opening words of Macbeth’s famous soliloquy come to life this weekend as three performances of a combined opera, ballet and classical music production based ...

This season, they presented a double bill: the 1847 version of Verdi’s Macbeth and Bellini’s beloved La Sonnambula of 1831, which here appears both in original keys and on period instruments. The ...

Atlanta Opera will present the Italian composer’s adaption, emphasizing revolution, at Cobb Energy Performing Arts Center from March 1-9. Atlanta Opera's production of "Macbeth," March 1-9 at Cobb ...

Add Yahoo as a preferred source to see more of our stories on Google. Not to deal in unsolicited prophecies, but if you go see the Washington National Opera production of “Macbeth,” you’ll love it.

Not to deal in unsolicited prophecies, but if you go see the Washington National Opera production of “Macbeth,” you’ll love it. Giuseppe Verdi’s 1847 adaptation of Shakespeare’s classic (with an ...

Purchase this and other timeless New Criterion essays in our hard-copy reprint series. The festival’s choice this year was among the more arcane: Macbeth in a critical edition of the now-standard 1865 ...

Because of an overloaded schedule, I caught the final dress rehearsal of Opera Orlando’s “Macbeth” on Wednesday instead of attending opening night. And unlike Shakespeare’s “Weird Sisters,” I cannot ...