Lossless data compression of digital audio signals is useful when it is necessary to minimize the storage space or transmission bandwidth of audio data while still maintaining archival quality.

This column is devoted to the basics of audio compression, a powerful signal-processing technique that is poorly understood by almost all of us. Once again, I hope you find it useful, or that you can ...

Data Compression is one of the most important components of this world, driven by petabytes of data daily. We, as humans, are generating data every second. From walking to running, eating to drinking, ...

Why do some tracks grab your attention while others don’t? Well, it’s all about perfecting the right production tools. The secret often lies in mastering the art of compression! It’s one of the most ...

I recently received a letter from Tom Lento, a broadcast technology marketing consultant, commenting on my March 5 column about the variance of audio levels in TV programming. Tom writes: "I'd be ...

People mix up the two types of audio compression all the time. Dynamic range and lossy compression are very different things. Ex-movie theater projectionist Steve Guttenberg has also worked as a ...

Hello all, I would like to get some opinions on what people believe to be the best sound/size ratios and compression programs for audio files....I am about to encode my entire vinyl collection to ...

One of the problems I have when producing screen cams is that my voice fades at the end of the day, making the tutorials I create less clear. Fortunately, this is a problem I can easily fix in Adobe ...

As mentioned previously, the characteristics of typical audio signals vary from time to time and therefore we must expect the required bit rate for lossless compression to vary as well. Since the bit ...